CINEMAI v2
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Editorial

Featured directors

Ten directors who reset what cinema could carry. Long-form editorial profiles — the filmography, the grammar, the influence, the reason they still matter.

Classical Hollywood1899–1980·British–American

Alfred Hitchcock

The director who industrialised dread.

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Golden Age1910–1998·Japanese

Akira Kurosawa

The director who taught the world how to read a Japanese frame.

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New Hollywood1928–1999·American–British

Stanley Kubrick

The director who treated each film as a separate first principle.

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Soviet Auteur1932–1986·Soviet–Russian

Andrei Tarkovsky

The director who shot time as a material.

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New Hollywoodb. 1939·American

Francis Ford Coppola

The director who bet the studio on the screenplay.

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New Hollywoodb. 1942·American

Martin Scorsese

The director who made the Catholic guilt of Little Italy into a cinematic language.

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New Hollywoodb. 1946·American

Steven Spielberg

The director who turned wonder into a craft discipline.

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American Independent1946–2025·American

David Lynch

The director who made the American subconscious into a genre.

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Second Waveb. 1958·Hong Kong

Wong Kar-wai

The director who shoots longing as a colour and a clock.

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Korean New Waveb. 1969·South Korean

Bong Joon-ho

The director who taught the Academy to read subtitles.

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